The 43 Best Songs of 2018

Hi.

I’ll start by saying that as soon as I hit the almighty “publish” button on this thing I’m going to start twitching and a wall of angst will close in around me as I’ll suddenly remember all of the incredible songs I left off of this list.

As someone who wears a few hats as a music journalist, radio host and music blogger I am inundated with new music in a way that I can’t even begin to keep up with.  This causes me equal parts joy and stress. But here’s the good news: I’m not going to let that stop me from sharing this year’s crop of songs because this list comes from an honest place and one of sheer joy.

Some of these songs are from artists  I am a hardcore fan of, others are ones I’m just getting to know. But they’re all songs that I have mad love and respect for and ones that have moved me to tears, made me dance, raise my fist in the air and most of all, experience the range of emotions that can only be elicited from music.

I started working on this list in January and every time a strong struck me in just the right way, I added to it. A few came in just under the proverbial wire (I’m looking at you, SHEL and Dido) and in some cases, there are two songs from the same artist because I couldn’t help myself.

I’m now going to sit and write out this list and if I have something specific to say about a song on it, I’ll say it. In some cases I may share a photo and/or video. These songs are not are in any particular order. I love all of these songs for different reasons and with different parts of my heart, mind and soul.

So we’re good on the disclaimers front right?

OK then. With a mixture of nerves, excitement and above all love I offer up my list of the 43 best songs of 2018!


1. “Mr. Weinstein Will See You Now” by Amanda Palmer & Jasmine Power. I had a lot to say about this song and video. Amanda Palmer is many things to me including hero, spirit animal, source of huge inspiration, incredible songwriter and all around spectacular human. Take your time with this song and this video. (btw, video is NSFW).

2. “Heroin” by Lucy Wainwright Roche. Holy shit.I could easily put the entire “Little Beast” album on this list. Tremendous record. Do yourself a favor and check out”Little Beast” and LWR’s previous stuff too.

3. “Party of One” by Brandi Carlile. First off, I’m THRILLED beyond words that Carlile got SIX Grammy Nominations! “By The Way, I Forgive You” is among my absolute favorite records of the year. And yeah, ‘The Joke’ is epic. But it’s the song “Party of One”  that REALLY kills me on the album.  It straight up makes me cry. I saw Carlile many times in 2018 and the song brought me to tears in Massachusetts, Maine, Rhode Island and Colorado.  BTW, I interviewed Carlile a few months ago. Read it here. Also, I reviewed “By The Way, I Forgive You.” And while I’m at it, here’s my review of her show at Red Rocks in August. She’s also a huge part of my review of the 2018 Newport Folk Festival.  I guess you could say I’m a big fan. How big? This kid is going on the Girls Just Wanna Weekend Mexico trip in January. (and yep, I’ll be writing about it here).

Also, HOLY SHIT. A video for the song starring Elisabeth Moss was dropped on Dec. 11. I can’t even…

Brandi Carlile
Brandi Carlile at the Newport Folk Festival. 7.29.18. Photo by Aimsel Ponti

4. “Dreamers” by Judy Collins. I saw Collins sing this live in Portland (Maine) a few months back and I sat there in stunned silence, tears rolling down my face such is its impact. One of the most important songs of 2018 hands down. “Dreamers” is written from the perspective of an immigrant woman and it’s a poignant, emotional song of stark desperation with some “fuck you, Trump” in there as well (in not so many words).  It’s just the famous, timeless vocals of Collins, no instruments. Ready yourself and click here.

5. “Halls of Sarah” by Neko Case. Case’s “Hell-On” is another one on my very short list of favorite albums of 2018. This woman can do no wrong in my book. That voice! That songwriting! “Halls of Sarah” is a goddamn spectacular song off of a goddamn spectacular record. P.S. Follow Case on Twitter. She takes no shit and it’s glorious.

6. “Good As Gold” by Sarah Shook & the Disarmers. From the “Years” album. I’ve got a mad crush of Shook and am still in discovery mode with her whiskey drinkin’ outlaw country sound. I’m pissed I haven’t seen she and her band live yet but I have feeling that will change in 2019. So yeah, “Good As Gold.” Love at first listen. Catchy AF.

7. “Famous” by Serena Ryder (featuring Simon Ward of The Strumbellas). As far as singing along with a huge, gorgeous melody goes, it doesn’t get much better than this one. I’ve been addicted to this song since I first heard it months ago on WCLZ. “Famous” makes me happy.

8. “Wouldn’t Want To Be Like You”  by Sheryl Crow (featuring Annie Clark). I mean it’s Sheryl Crow with St. Vincent for god’s sake.  I ain’t got nuthin’ else to say about this mighty fine song. Just listen.

9. “Such A Simple Thing” by Ray LaMontagne. Lest you think there wasn’t gonna be any fellas on this list. I know a beautiful song when I hear one. This song is a million percent lovely.

10. “I Can Change” by Lake Street Dive. My oh my what a song.  I adore this band. Had a chance to chat with singer Rachael Price last summer. Not only is the song a tender ballad that will hit you in the feels, the video is pretty special too.

11. “City Looks Pretty” by Courtney Barnett. From her scorching album “Tell Me How You Really Feel.” Interviewed Barnett this summer and saw her explosive yet all smiles set at Newport Folk Festival.  She’s the absolute bomb and “City Looks Pretty” is but one example.

Courtney Barnett
Courtney Barnett at the Newport Folk Festival. 7.28.18. Photo by Aimsel Ponti

12. “Diamonds” by JanaeSound. JanaeSound’s real name is Janay Woodruff and she lives right here in Maine. This is my favorite local song of the year and I’ve all but worn it out on my Music from 207 local radio show on WCLZ.  I also wrote about her. We’re lucky to have her in Maine. “Diamonds” is sacred to me and it’s got heart and inspiration to spare.

13. “Fruity” by Rubblebucket. I love this song because it’s fun, vibrant and full of surprises. Saw the band open for Lake Street Dive last summer and they were fabulous. Dig “Fruity!”

14. “Strangers” by Katie Herzig. The song is from the sensational album “Moment of Bliss” and Katie Herzig is a wildly talented and innovative artist. Here’s our chat from April and here’s “Strangers.”

15. “The Things We Do to Each Other” by Cowboy Junkies. Somehow I managed to forget how much I LOVE this band. But I fell back in love big-time upon hearing their “All That Reckoning” album and seeing them live at The Music Hall in Portsmouth, NH last summer.  Just so happens I recorded their jaw-dropping take on Bowie’s “Five Years”. I digress. Check out the entire “All That Reckoning” album when you can. In the meantime, here’s “The Things We Do To Each Other.”

16. “Parking Lot Pirouette” by Amanda Shires. Her exquisite album is called “To The Sunset.” Just listen to this moody tune. Jesus.

17. “Never Surrender” by Rose Cousins. You’re damn right I mean a cover of the 80s Corey Hart song. Rose Cousins has taken the already powerful song (there, I said it) and turned it into something truly remarkable. Among the best damn covers I’ve ever heard of any song.  So if you’re lost and on your own…listen to this!

18. “All This Time” by Katie Herzig. Yep, she made the list again. This is my favorite “Moment of Bliss” track. Why? Hear for yourself.

19. “Me & My Dog” by Julien Baker, Phoebe Bridgers and Lucy Dacus as boygenuis. The three of them released an EP together under the name boygenius and it’s insanely good. They’re all SO GOOD on their own. Together it’s almost more than I can stand as evidenced by “Me & My Dog.”

20. “Broken Headlights” by Roscoe & Etta. Roscoe & Etta is the dynamic duo of singer-songwriters Maia Sharp and Anna Schulze. They made an album together and I love it start to finish. Saw them this summer in Portland, Maine and they were all that. “Broken Headlights” is the album’s first single.

roscoe and etta
Anna Schulze and Maia Sharp of Roscoe & Etta.
Photo by Patrik Giardino

21. “Fireworks” by First Aid Kit. From their “Ruins” album. In a word: SWOON! Also, here’s my interview with Klara Söderberg and my review of their February show in Boston. And most importantly, here’s the dreamy “Fireworks.”

22. “Spark, Set Fire” by The Western Den. They’re the Boston duo of Deni Hlavinka and Chris West and they’re  a very recent discovery for me. If “Spark, Set Fire” is any indication, I have a very good feeling we’re gonna get along just fine.

23. “Don’t Let Go” by Tiny Deaths. The album is called “Magic” and it most certainly is. I listened to it several times through during a road trip a few months ago and love it. Tiny Deaths is the dream-pop duo of vocalist Claire De Lune and producer Grant Cutler. Fun fact, the song “Oceans” was one of my favorite songs of 2016. I’m still obsessed with it.  But let’s focus on the “Magic” album and this effin’ great song “Don’t Let Go.”

24. “The River” by KT Tunstall. Scottish singer-songwriter K.T. Tunstall released her sixth studio album called “Wax” in October. I’m savoring each track, including “The River.”

25. “423” by Roscoe & Etta. I simply HAD to include another one from the Roscoe & Etta album. Love the imagery and Sharp and Schulze’s vocals together.  And the refrain is spectacular, but in your head say another word for spectacular because I use it too much. Behold: “423.”

26. “Venice Bitch” by Lana Del Rey. Truth be told, I only know a handful of Lana Del Rey songs and I love them all. As for this one, you GOTTA love the “fresh out of fucks forever” line.  Also, I LOVE that this song clocks in at just under ten minutes. Dig it.

27. “The Wanderer” by Emilie Mover. Mover, out of Toronto, is another artist on this list that I didn’t know about until about five minutes ago. But I do know that this single, a cover of the early 60’s Dion song “The Wanderer” is swoon-worthy.  I’m confident you’ll agree.

28. “Django” by Janelle Monáe featuring Zoe Kravitz. First of all, and you don’t need me to tell you this, the entire “Dirty Computer” album is an absolute banger. Second of all, the song  gives a shout out to Eve Ensler’s “Vagina Monologues.” So you’re damn right that “Django Jane” is on this list.

29. “Fine With the Dark” by Amy Ray. Ray’s latest solo album is called “Holler” and it’s extraordinary. Any number of songs could have made this list but at the moment I’m all about “Fine With the Dark.”

30. “Fugitive” by Indigo Girls. The song first appeared on their 1994 studio album “Swamp Ophelia” and is in my top five list of favorite songs by the duo of Amy Ray and Emily Saliers. So why is the song on this list? Because a double live album was released earlier this year of Indigo Girls live with The University of Colorado Symphony Orchestra. Here’s my review. Anyway…when I heard the symphony version of “Fugitive” I wept and cheered and pretty much lost my mind.  Just when I thought I couldn’t love a song anymore, Indigo Girls hit me (and the world) with THIS.

31. “Wild One” by I’m With Her. I’m With Her is the trio of Sarah Jarosz, Aoife O’Donovan and Sara Watkins. After a few songs here and there over the past couple of years the debut full-length album “See You Around” was released in February. I chose “Wild One” for this list because it makes me entirely sad and happy and their voices together destroy me.

32. “The Night That Bowie Died” by KT Tunstall. Another track from “Wax.”  I’m still not over losing Bowie and when I saw his name in this song title I steeled myself and put my headphones on. The reward was huge.

33. “Are We Good?” by Eleanor Friedberger. From her 2018 album “Rebound.” I can’t remember when I first heard this song as I scan the past 12 months but listening to it again as I write this I remember why I stuck it on this list. Maybe I got a press release about it? Delivery mechanism doesn’t matter, the song is excellent. Lend an ear.

34. “Neon Prayer Flags” by The Wind and The Wave. From their latest album “Human Beings Let You Down.” All I know is that I can’t get enough of Patty Lynn’s voice. She and musical partner Dwight Baker have a fantastic thing going with this band. Plus, the song talks about therapy so of course I love it.

35. “Some Kind of Window” by Rachael Yamagata. Rachael’s one of my favorite singers on the planet and she surprised us all with the release of a seemingly-out-of-nowhere EP called “Porch Songs” a couple of months ago. There are five songs on it and they all put me into emotional orbit. I chose “Some Kind of Window” because the lines “I don’t know where my will has gone, I never felt so shut down before” are effin’ fantastic and Yamagata sings them in a profound, soul-searing way. Just listen!

36. “Black Monday” by Neneh Cherry. I’ll be honest, I haven’t really kept up with Cherry’s career. I’m lame. Up until this point I pretty much only knew her now 30-year-old hit “Buffalo Stance.” But then one fine I got wind of her latest album “Broken Politics” and I guess I got wind at the exact moment that I actually had time to listen to it. Wow. It’s going to knock your socks entirely off. Her vocals are to die-for. I’m still getting to know the album but “Black Monday” sure as shit made my list.

37. “Follow Me Home” by SHEL. It was love at first listen with the four mesmerizing Holbrook sisters back in 2016. Since then I’ve seen them in a Tennessee cave, at a festival in North Carolina and a festival in Colorado. Their latest project is scoring the new Catherine Zeta-Jones Facebook Watch series “Queen America.” Out of that came the song “Follow Me Home,” released a little over a week ago. I have a heart attack every time a press release arrives with SHEL in the subject line and this was no exception. Listen to the song and fall under the SHEL spell.

38.”Extralife” by Darlingside. Pleased as punch to report that I FINALLY saw them live a week ago and they were dreamy and I was transfixed. I’ve adored Darlingside for a couple of years and the adoration grew all the more with the release of their album “Extralife.” The title track made my list because when I listen to it I leave my body and float up to 60s folk heaven. Here it is.

39.”Hurricanes” by Dido. Cause …want to thank her… for releasing her first album since 2013. Well technically it’s not out quite yet. “Still on My Mind” is set for a March 2019 release BUT the first single “Hurricanes” was shared with the world on the 12th of November and it’s lovely and lush and well heck, just listen.

40. “Right Down the Line” by Lucius. Yes indeed I mean a cover of the 1978 Gerry Rafferty hit. It’s one of ten tracks on the “Nudes” album, released in March. The indie-pop quartet of singers Jess Wolfe and Holly Laessig, guitarist Casey Foubert and drummer John Dion can do no wrong in my book. I got hip to them in 2013 and everything they’ve done since then has been fantastic. I was lucky enough to see them last year with Roger Waters. Holy shit. Anyway, “Nudes” is an acoustic album of new stuff, old stuff and some covers including their marvelous take on “Right Down the Line.”

lucius with lukas
Holly and Jess from Lucius on stage with Lukas Nelson and the Promise of the Real at the Newport Folk Festival. 7.28.18. Photo by Aimsel Ponti

41. “Blue Again” by Weakened Friends. I do sometimes like to rock out. Weakened Friends is the Portland, Maine trio of singer-guitarist Sonia Sturino, bass player Annie Hoffman and drummer Cam Jones.  They just won a Boston Music Award for Alt/Indie artist of the year. YEAH! “Blue Again” is from their tremendous debut full-length album “Common Blah.”

42. “Social Life” by Armies. Because it’s commentary on social media is blistering and spot-on. Also, I’m all about the vocals of Dave Gutter and Anna Lombard. “Social Life” is from the band’s second album “Armies II.” They’re a Maine act but do all sorts of cool stuff all over the place. There’s a video coming at some point for the song that was filmed at the album release show a few months ago (I was there). For now, take a listen to “Social Life.”

43. “Only Lonely” by The Ballroom Thieves. The Ballroom Thieves is the trio of Martin Earley, Devin Mauch and Calin Peters.  OMG I love this band. I even bought a necklace Martin made at a show a couple of years ago. I also love the fact that they now call Maine home. “Only Lonely” will have you at the first chill howl. It’s from their “Paper Crown” EP. Enjoy.


And there you have it.

Ponti out

p.s. Because I love you here’s a Spotify Playlist of all the songs!
https://open.spotify.com/embed/user/eastcoastaimsel/playlist/4AHxy9Dg1VNs9T8dg20PVI


Aimsel on the Record is sponsored in part by LB Kitchen in Portland, Maine.

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Please contact me if you’re interested in sponsorship opportunities.

ART MATTERS! Amanda Palmer and company release chilling video for “Mr. Weinstein Will See You Now”

10.6.18  9:46 p.m.

So as to not bury the lede let me say right off the bat that Amanda Palmer released a video yesterday to what I’ve already said I think is the most important song of 2018: “Mr. Weinstein Will See You Now.”
And in breaking news, I interviewed her via email about the video, the response to it and how fucked up everything feels right now.

But let me do this right and lay it all out for you. I’ve been working on this off and on all day, starting early this morning and twelve hours later I’m ready to hit “publish.”

Hi.  It’s late morning on Saturday, October 6, 2018 as I start this post and a lot of stuff went down yesterday. Not since the day Trump was elected in 2016 have I felt such politically-charged emotion.  But it goes WAY beyond that and I know many of you are right there with me. Never as a woman and as a human have I felt more offended, insulted, dismissed, disappointed and hopeless.  Holy shit. But hold that thought for a second.

Now it’s 4:45 in the afternoon and I just watched the senate vote to confirm Kavanaugh and it’s like knowing someone is going to die but then when it actually happens it still hurts just as much.  You can’t really be prepared can you?

By the way, this is indeed a music blog and we’ll get there because OMFG the video of “Mr. Weinstein Will See You Now” was one of things that happened yesterday and it’s the reason why I’m writing now.  But I’ve got to set the scene first because it very much feeds into my response to said video and why I think it’s so important for as many people as possible to see it.

Here’s where I’m at:

I 100% believe Dr. Christine Blasey Ford. Her bravery is remarkable. I, like many of you, watched in horror, expected horror, but horror just the same, as Senator Susan Collins (from Maine where I live) spent 45 minutes saying she didn’t believe Dr. Ford. When she finally ended her  “speech” I started to shake and teetered on the edge of a teary tantrum. Later today is the official vote, otherwise known as the final nail in the coffin of not believing victims of sexual assault with the added bonus of having reproductive freedom potentially jeopardized when Kavanaugh gets on that bench. Meanwhile, POTUS took it upon himself to make a grotesquely erroneous comment  via Twitter recently about trauma and how it impacts memory. Then he straight up mocked Dr. Ford’s testimony a few days ago at a rally. HE MOCKED HER. Over the past ten days or so I have read countless stories that women have shared about being sexually assaulted. Some of these women are friends of mine. I’ve read and heard stories of women I know who were raped and didn’t report it for fear of not being believed and for fear of it bring shame to their family and for many other reasons. My heart has been shattered. All of ours have been. I feel unprecedented anger and acute helplessness and it all sucks tremendously. While I’m at it let me add that in my opinion, #metoo is NOT a movement. It’s a reckoning. I’m starting to cringe when I hear it referred to as a “movement” even by allies because “movement” is not nearly strong enough of a word. “Movement” feels way too temporary. Reckoning is better but I’m not sure if that is even strong enough. Revolution is getting closer to the marker. #metoo revolution. Now that’s more like it. I know, this is really just a matter of semantics. But still…

I am woman hear me roar and watch me revolt.

Despite everything, I am able to find moments of peace and hope because there’s a huge sense of “we’re in this together,” especially, of course, among women. There’s a huge feeling of “we’re not gonna take this anymore” and we’re all figuring out strategies in our own ways. But my god, this hurts. My heart breaks for Dr. Ford. It breaks for everyone who has relived past traumas because there’s been a mine field of triggers.

What else? So much. Too much.

What next? Everything.

We will march. We will protest (and THANK YOU to everyone who did SO MUCH to try and stop this horrible confirmation from happening). We will vote. We will be heard. We will not be silenced. We will be believed.

We will also let our creative selves shine. I NEED art. It helps me make sense of things that can’t be understood. It helps to say the things that need to be said. It helps to make me feel less alone, knowing there are people out there who are harnessing all of their rage, their sorrow, their pain and their hope and they’re making things. Paintings, poems, films, music, you name it. ALL OF IT.  Sometimes I need a song to show me the way to my own heart, to crack a rib and let the emotions in.  Art, and for me music in particular, is one of the best ways to truly feel human.  And so, and not for the the first time , Palmer and the people she chooses to work with, have fused music with film and the result is something remarkable.

Now about that video…

One year ago yesterday,  October 5, 2017, the New York Times broke a huge story and the world learned that Harvey Weinstein is an absolute monster thanks to the bravery of women like Ashley Judd  and others who told their story.  We all know what happened next. #metoo was born. Weinstein’s now in jail.

A few months after this all broke, Amanda Palmer and Jasmine Power collaborated on the song “Mr. Weinstein Will See You Now”  and they released it on  May 23.

single cover by coco karol
Mr. Weinstein Will See You Now Single cover by Coco Karol

If you haven’t heard it yet, decide on your own if you’d rather have your first listening be by way of the video that just came out or first via just the audio. There’s no wrong way to be introduced to the song. It’s going to destroy you either way. I don’t know how else to say it. But it’s also an incredible, stunning song so don’t fear it, just know it’s no “Walking on Sunshine.” It gives voice to the women, and there were many of them- that were assaulted, abused, threatened or otherwise mistreated by Weinstein. But it’s bigger than that.  I’ve listened to the song at this point a couple of dozen times and every listen twists and turns inside my heart. But it’s also a MAGNIFICENT piece of music. Art can be both things: Painful and beautiful. It should be. You don’t need me to tell you that.

In July, Palmer along with Power, director and choreograph Noémie Lafrance, producer Natalie Galazka along with a huge crew and cast assembled at rectory of a church in Brooklyn, New York and shot a video for “Mr. Weinstein Will See You Now.”

weinstein video still 1
A still from the “Mr. Weinstein Will See You Now” video shoot. Photo by Hayley Rosenblum

In all, 60 women along with a few men were involved in the making of it. It was paid for by Palmer’s nearly 12,000 Patrons. I’m one of them. We all contribute to Palmer’s Patreon so that she can make art without having to worry about how the bills will be paid.

Yesterday was the day  the video was released, on the one year anniversary of the Times Weinstein story.  I watched it after watching Senator Collins offer up her “yes” in that morning cloture vote and before her 3 p.m. shit show speech that made it official and sent millions of women (and of course several men) into an unprecedented tailspin.  It was  between those two things right around lunchtime when I set aside six minutes, put my headphones on and watched the video to “Mr. Weinstein Will See You Now.”

I watched it two more times over the course of the day and evening and have since watched it again. There’s a lot to take in.  I’m not going to say much about it because it speaks for itself. But it may be helpful for you to read a bit of what Palmer shared about it on Patreon.

Palmer wrote that that she and director Noémie Lafrance spoke at length and agreed that the video should not be sentimental, it should not exploit, it should not be patronizing and it should not be obvious. As for what it should be? Three words: raw fucking power.

I think it’s also important to share Palmer’s reasons for making this video which she also shared on Patreon:

“it has come to this. in order to effect change, we are having to expose our darkest pain in public forums. on the internet. in newspapers. in the streets. in the senate, in front of hundreds of millions of people watching.

it seems infinitely complicated to address these issues when they’re already so over-saturated and raw. how to not make things worse? how can we express ourselves and our righteous anger in our own terms, on our own dime, in our own time?

that’s what i wanted to do with this video.”

She did that. And she did a hell of a lot more than that.

Now it’s half past eight and I’m in my pajamas watching the Red Sox game because I can’t handle any more coverage of today’s events. I say that yet I check Twitter every 15 minutes.

Earlier today I reached out to Palmer via email with a handful of questions. A few minutes ago, I heard back from her and in the interest of clarity, I will share them in their entirety.

What reactions have you been getting so far, on day one, on the video? From what I’ve seen on social media people are feeling quite moved and affected by it. Any surprises on the feedback front?

Amanda: You know, I should be used to this by now, but I’m not. The reaction from my community on the internet is astounding – people are really finding it cathartic, triggering in a good way, and empowering, which was my hope. The reaction from the flesh and blood human beings who came out in the hundreds to see the screening in LA the other night was equally powerful, there were a lot of abuse and assault survivors sharing their stories. So many women poured so much time, rage an energy into making this video happen. And the response from the media was just….deafeningly silent. I’m used to most mainstream media not picking up on stuff like this, but the feminist media, where are they? Why aren’t they amplifying the art? Where’s Bust? And Bitch? And Ms. and Elle and Teen Vogue on and on…the other feminist allies? We sent them all the clip. It’s astonishing to me that every single article that’s run on this video has been written by a man . It’s just bananas. There’s this part of me that feels like I’m in fourth grade again, getting shoved away from the cool lunch table. It’s possible that everybody in feminist-land was just too wrapped up in the political cycle, but…just, wow. There are so few artists out there doing what we just managed to do, and it was really frustrating – for all of us – to see such loud silence on that front. On the other hand, this is the kind of problem that I’ve been facing for fifteen years. The media follows, but only very lazily, and the most powerful women in the arts are usually blazing way ahead with no regard to the coverage. So I continue to build the Patreon for this very reason: so that I will never need to rely on the media to be the force that authenticates or holds the keys to the amplification of our work. 

With both the song and now the video, you’ve given voice to victims through a stunning piece of art. I believe it’s helping people, likely more than you’ll ever know. How does that make you feel?
Amanda: It makes me feel like I’m doing my job. 
Did you watch any of the Collins shitshow ? If so, alone or with anyone? How was that for you? I mean we all knew deep down she was gonna go this way but it still HURT SO MUCH. Thoughts on that? Especially since it ended up being on the same goddamn day as the one year anniversary (anniversary feels like such the wrong word) of the Weinstein stuff blowing up. I felt so empowered when I watched the video (along with several other intense emotions) and then so defeated watching Collins speech. How was/it for you? How are you feeling right now? Honestly, I don’t know what to feel right now because it’s so easy just to sink into my couch a pile of tears. Thoughts?
Amanda: I’m feeling so hurt. I cried in yoga yesterday, I woke up today and read the news and cried. I cried and streamed to twitter. I cried and listened to my new album mixes, which couldn’t wait, because we have to head to mastering soon. I’ve just been crying a shit ton. I can’t believe what is happening to my country. It feels like our rights and freedoms and achievements – as women and minorities – are going to just get slowly chipped away at, one by one, and like frogs in boiling water 
we’re going to wake up one day with no fucking abortion rights and no immigration rights and it’s just going to be one brutal dictatorship of capitalist frat boys who will not share their toys. It really feels like that. I am also getting ready for what feels like the fight of my life. I’m ready to put down everything else right now and fight for justice for women and other disenfranchised people. Fuck everything. We need a full on revolution. Today. And believe me, I’ve been texting my allies. We are organizing, we are pissed, and we are going to change this.

And what that, here’s the brand new video for Mr. Weinstein Will See You Now

Ponti out


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Amanda Palmer & Jasmine Power release scorching, triumphant “Mr. Weinstein Will See You Now”

Let me get right to it: Amanda Palmer and Welsh musician Jasmine Power have just released a song called “Mr. Weinstein Will See You Now.”

I don’t think I’ve listened to a song more times in a 72 hour period than I have this one. With each listen, it seeps in all the more. While listening to it I’ve wiped tears from my eyes. While listening to it I  felt anger in my belly churn and burn. While listening to it I have wanted to run screaming to the top of the nearest mountain and with skinned knees and a thundering heart plead with the universe for those who have been hurt by Harvey Weinstein, Bill Cosby  and other monsters posing as men  to know some semblance of peace, healing and in some cases…goddamn revenge.

Can a song offer that? I’m not sure if it’s my place to say. But I paused for a moment to consider other songs that have documented abuse that I feel have been important. Ones by Tracy Chapman, Tori Amos, 10,000 Maniacs , Suzanne Vega and Sinead O’Connor came to mind.

Before we get to the actual song, here’s a little backstory  that I think is key for you to know about.

This is from what was sent out to inquiring journalists. Jasmine Power, by way of a mutual friend, was at Amanda Palmer’s house for dinner a few months back. The two clicked and three days later  wound up in a studio together to record a song. Palmer explained that the news about Stormy Daniels was at fever pitch. “I found myself thinking about closed doors to hotel rooms across the world over time and how they’ve been the backdrops of so many of these painful encounters. That was the starting point, and we wrote with the idea of a split self: two voices inside one woman’s head.”

British film-music arranger Matt Nicholson added strings (and oh my god, did he ever!) and orchestration with the goal of making the song more cinematic so as to “kick Hollywood in the face.” Mission accomplished. And then some… “It doesn’t sound like anything I’ve ever made before; it’s almost a mini piece of theater,” Palmer added.

Palmer went on to say that she’d been thinking about how to address the #Metoo movement in a song. “It’s so personal to these women, these stories, and it felt wrong to write something funny and cabaret; the topic is too harrowing. It’s not surprising, that, just like the movement itself, it took two women getting into a room together, comparing notes and joining forces to create something almost like an anthem for taking back our narrative.”

Initially, the song was called “The Hotel Room” but Palmer thought a bolder statement would be to call it “Mr. Weinstein Will See You Now.” She heard from a feminist friend that using that title could stir controversy because Palmer couldn’t tell a story that wasn’t hers; at least not about this topic. Palmer’s response was that if that’s the case, it’s the “end of all art as we know it.” But she also reached out to Rose McGowan on Twitter with the lyrics and McGowan offered her approval of the title.

amanda and jasmine photo by Matt Nicholson
Amanda Palmer and Jasmine Power Photo by Matt Nicholson

Lastly, before you listen to the song (and it is strongly suggested you do so with headphones for maximum impact), I’m going to share with you Amanda’s response to questions I sent directly to her about how she was feeling as she stood on the precipice of the song’s release.

“Every time I release a song, I’m faced with a mystery. I’ve learned by now not to have any expectations whatsoever; it never works. Things that I think will be understood are often misunderstood, and things that I think will be misunderstood are sometimes embraced with zero drama. But that’s the way I like it, and it prods me on to simply make what I make and let the public deal with it in their own way, it’s not like I have any control over it anyway. I’ve played this song in private for a quite a few people now, and I can tell you this: men seem to appreciate it intellectually and say ‘this song is good’ and women look me in the eye and say “Holy fuck.” But all that being said, I’m always in a kind of brace position when a song comes out, because I’m so used to being misinterpreted. At the very least, a conversation starts. I don’t care if people like the song, the lyrics, the orchestral production, but if it gets people thinking about or arguing about the issues, well…hopefully there’s some progress in there.”

So there you have it. Grab your headphones and listen to this when you can really hear it without distraction or interruption.

I think this is the most important song of 2018. I think music like this is vital.  And musically speaking, I think the song is a masterpiece. From the vocals from both women  to the heart-piercing piano to the holy-god-almighty string crescendos and most importantly the lyrics, “Mr. Weinstein Will See You Now” is brilliant.   So yeah, I’ll add my voice to the chorus of other women when I say with 100% sincerity: HOLY FUCK.

Also, through June 30, 100% of digital proceeds will go to the TIMESUPNOW legal defense fund. Here’s where you can buy it:

https://amandapalmer.bandcamp.com/track/mr-weinstein-will-see-you-now-2

Ponti out.