I got back from Mexico a week ago and by now the trip laundry is all done, my suitcase is back up in the garage rafters and I’ve acclimated to being back in the cold Maine winter.
But what I haven’t yet been able to do is unpack in my heart, soul and mind as to just how extraordinary the experience was of attending Brandi Carlile’s Just Wanna Weekend concert extravaganza at the Hard Rock Hotel in Mexico’s Maya Riviera.
First, a little back story in case the concept of GJWW is unfamiliar to you. Several months ago musician Brandi Carlile had something of an epiphany inspired in part by the social media account Book More Women. Book More Women took it upon themselves (and I’m so glad they did) to post two versions of music festival posters. The first version was the original and the second one is with all of the male acts removed. The end result in just about every case including heavy hitter festivals like Bonnaroo, Bottlerock, Tumbleweed, Coachella and Firefly are sobering and frankly depressing. According to Book More Women’s Twitter account, in 2017 only 26% of acts playing major US music festivals featured at least one female or non-binary act. Pardon my French but what in the actual fuck? The numbers only improved marginally in 2018.
Brandi Carlile, who attended all three years of Lilith Fair in the 90s as a teenager, got an idea. What if she threw a festival of all female acts and what if she threw it at an all-inclusive resort in Mexico? Would this send a message to the world that an all-female lineup is not only a viable thing but one that people would travel from far and wide to attend and pay a good chuck of money to be able to do so? Could the success of an event like this maybe move the needle a little bit and serve as an agent of change in a music industry that, god damn it, is still dominated (especially in country music, don’t even get me started…) by men?
In a word: YES!!!!!!!!!!!!!!!!!!!!!!!
About three nights ago I was flopped on the couch channel surfing and landed on a old favorite film of mine, “Field of Dreams.” This led me to picturing Brandi Carlile four-wheeling through the Seattle area woods where she lives and hearing the trees whisper to her in the voice of say, Meryl Streep “If you book it, they will come.” Well we came alright, more than 2,000 of us. And I’m a million percent sure that everyone who was there is now wandering around the planet not knowing what in the hell to do with the rest of our lives, such was the impact of this MAGICAL EVENT.
Now then. Shall we get down to brass tacks?
First off, giant shout-out to event organizers Cloud Nine and to the entire staff at the Hard Rock Hotel. This place is GLORIOUS are our needs as attendees were well taken care of at every turn.
Girls Just Wanna Weekend began on Wednesday, January 30 and we said our goodbyes to Mexico on Sunday, Feb. 3. All told there were 15 performances over the course of FOUR PERFECT DAYS AND NIGHTS.
Here’s a list of what happened when:
Shawn Colvin: Main Stage
Brandi Carlile: Main Stage
Thursday 1/31 The Secret Sisters: Heaven Beach Stage KT Tunstall: Main Stage Brandi & Friends: Songs in the Round (Amy Ray and Emily Saliers of Indigo Girls, Brandi Carlile, Maren Morris, KT Tunstall and Shawn Colvin): Main Stage Indigo Girls: Main Stage
Friday 2/1 Indigo Girls Songwriting Workshop: Heaven Beach Stage (this ended up being more of a performance with some Q&A moments. It ruled!) Brandi-Oke (Brandi and her band backing up several fans singing BC songs and a surprise appearance from Lucius who played “The Story”): Heaven Beach Stage Lucius: Main Stage Maren Morris: Main Stage
Saturday 2/2 Sam Rae: Heaven Beach Stage. Sam plays cello in Brandi’s band and is also a solo artist who sings and plays acoustic and electric guitar and cello. She’s the bomb! Ruby Amanfu: Heaven Beach Stage
Mavis Staples: Main Stage
Brandi Carlile: Main Stage Ladies of the 80s: Main Stage (Brandi Carlile and band, KT Tunstall, Ruby Amanfu, Lucius, The Secret Sisters, Katie Herzig, Butterfly Boucher).
Without hesitation, I can report that every single one of these performances was tremendous and it seemed abundantly evident that every single musician who was on those two stages was damn happy to be there.
Here are some highlights:
Sam Rae made us all cry when she proposed to her girlfriend from the Heaven Beach stage.
Mavis Staples just about ripped a hole in the sky with her performance.
Shawn Colvin delivered one of the best performances from her I’ve ever seen and she got the call to come to Mexico about 48 hours before she took the stage after her good friend and fellow musician Patty Griffin had to cancel because her appendix decided it needed to go.
Lucius just about gave us all a heart attack when they took the stage during Brandi-Oke and sang “The Story.”
Yep. I recorded it. Voila!
Special guest Katie Herzig belted out The Bangles’ “Eternal Flame” during Ladies of the 80s. Herzig also gave us a dazzling rendition of Belinda Carlisle’s “Heave Is A Place on Earth.”
These are but five examples off the top of my head.
Want a few more? Of course you do!
Shawn Colvin joined Brandi Carlile to sing Jane Siberry’s “Calling All Angels”.
Shawn Colvin also destroyed me with her take on the Tom Waits tune “Ol 55.”
Brandi joined Marren Morris and they dueted on a brand new song called “Common” on Morris’s upcoming album “Girl.”
Indigo Girls started their main stage set off with “Fugitive” and I damn near died such is my love for that song.
There’s not a better cover out there of Talking Heads’ “Slippery People” than the one that Mavis Staples and her band delivered.
I also can’t forget when KT Tunstall sang Don Henley’s “The Boys of Summer” with Carlile.
There was also that moment when surprise guest Jeff Tweedy joined Mavis Staples on a song he wrote for her.
Another surprise guest in the person of Anderson East was brought on stage by Carlile during the Ladies of the 80s show and he sang his ass off during Bon Jovi’s “Living on a Prayer.”
Then there was Ruby Amanfu’s jaw-dropping version of Madonna’s “Like A Prayer.”
Also, Barack Obama’s White House photographer and good friend of Brandi Carlile Pete Souza was there all weekend snapping photos. He let me snap this pic of his Fun Meter button which was turned up to MAX!
And for the love of all that is epic on this planet, the festival ending take on Bonnie Tyler’s “Total Eclipse of the Heart” sung by Brandi with Phil Hanseroth’s earth-shaking “Turn around” backing vocals was something I’ll never forget. I am euphoric and dizzy thinking about all of this stuff.
And let me be clear, these are just SOME of GJWW’s countless moments.
For a music fan, Girls Just Wanna Weekend was like a trip to Fantasy Island. Except rather than an island, we were at a GORGEOUS resort on the ocean with more pools than I could count and endless close encounters with huge iguanas who are pre-historic creatures who love the resort as much as we all did and seemed entirely fine posing for all of our photos. If you were looking for a party with a swim-up bar it was yours for the taking. And if you were looking to find a more quiet spot to chill with your book, that too was available, such was the expansiveness of the resort grounds.
Another facet of Girls Just Wanna Weekend that was so refreshing was that I can honestly say that over the five days I was there, I didn’t encounter a single person who wasn’t friendly. “Hola!” and “Hey where are you from?” were two catch phrases uttered by pretty much all of us, all of the time.
Imagine being in paradise and then imagine that said paradise also featured performances from a bunch of your favorite bands. This was what Girls Just Wanna Weekend was all about.
On the last day of the festival I heard that Brandi was sitting by one of the pools with her daughter Evangeline. My first thought was to run over there and say Hi. Then I dialed myself down and said “nah, leave them be.” About ten minutes later I put my music journalist hat on – sort of – and decided to walk over there with the goal of asking one simple question.
Here’s the thing, it’s one thing to interview an artist on the phone (I’ve been fortunate enough to have done this on three occasions with Carlile) but it’s something entirely different to approach them “in the wild.”
Being the brilliant journalist that I am, I left my bag with friends and therefore had NOTHING TO WRITE WITH when I walked over to her. This is actually hilarious to me because I ALWAYS have pen and paper with me. Always. To make matters worse my memory isn’t what it used to be. But still I persisted and made my way over to her. I led with “hi, just so you know I won’t be asking for a photograph or autograph.”
Carlile was super nice and she is ALWAYS super nice. I told her briefly who I was and that I would be writing about the entire festival and asked if she wouldn’t mind summing it up for me, what it meant to her, in a sentence or two.
She did just that and in an epic journalist fail, I don’t have a direct quote for you. But I can tell you that she lit up when speaking about how thankful she was that we were all there and how proud she of Girls Just Wanna Weekend. And she most certainly should be.
Girls Just Wanna Weekend was truly one of the most monumental experiences of my life. For a handful of days, many miles from home, I took it all in as best I could.
I’m already thinking about next year’s Festival because rumor has it, it will happen! Save your pennies, friends. It’s sooooooo worth it.
Here’s a few lines from a Carlile song that seem to be an appropriate way to capture some of the spirit of Girls Just Wanna Weekend:
Hold out your hand
Take hold of mine now
Round and round we go
Don’t you wanna dance
And now for the video recap with gratitude as always to my tech savvy pal Shamus Alley for letting me send him a shit-ton of clips and creating something truly special.
THANK YOU, Brandi Carlile and everyone involved with making Girls Just Wanna Weekend one of the most enthralling and memorable experiences any music fan can ever hope to have.
I’ll start by saying that as soon as I hit the almighty “publish” button on this thing I’m going to start twitching and a wall of angst will close in around me as I’ll suddenly remember all of the incredible songs I left off of this list.
As someone who wears a few hats as a music journalist, radio host and music blogger I am inundated with new music in a way that I can’t even begin to keep up with. This causes me equal parts joy and stress. But here’s the good news: I’m not going to let that stop me from sharing this year’s crop of songs because this list comes from an honest place and one of sheer joy.
Some of these songs are from artists I am a hardcore fan of, others are ones I’m just getting to know. But they’re all songs that I have mad love and respect for and ones that have moved me to tears, made me dance, raise my fist in the air and most of all, experience the range of emotions that can only be elicited from music.
I started working on this list in January and every time a strong struck me in just the right way, I added to it. A few came in just under the proverbial wire (I’m looking at you, SHEL and Dido) and in some cases, there are two songs from the same artist because I couldn’t help myself.
I’m now going to sit and write out this list and if I have something specific to say about a song on it, I’ll say it. In some cases I may share a photo and/or video. These songs are not are in any particular order. I love all of these songs for different reasons and with different parts of my heart, mind and soul.
So we’re good on the disclaimers front right?
OK then. With a mixture of nerves, excitement and above all love I offer up my list of the 43 best songs of 2018!
1. “Mr. Weinstein Will See You Now” by Amanda Palmer & Jasmine Power. I had a lot to say about this song and video. Amanda Palmer is many things to me including hero, spirit animal, source of huge inspiration, incredible songwriter and all around spectacular human. Take your time with this song and this video. (btw, video is NSFW).
2. “Heroin” by Lucy Wainwright Roche. Holy shit.I could easily put the entire “Little Beast” album on this list. Tremendous record. Do yourself a favor and check out”Little Beast” and LWR’s previous stuff too.
3. “Party of One” by Brandi Carlile. First off, I’m THRILLED beyond words that Carlile got SIX Grammy Nominations! “By The Way, I Forgive You” is among my absolute favorite records of the year. And yeah, ‘The Joke’ is epic. But it’s the song “Party of One” that REALLY kills me on the album. It straight up makes me cry. I saw Carlile many times in 2018 and the song brought me to tears in Massachusetts, Maine, Rhode Island and Colorado. BTW, I interviewed Carlile a few months ago. Read it here. Also, I reviewed “By The Way, I Forgive You.” And while I’m at it, here’s my review of her show at Red Rocks in August. She’s also a huge part of my review of the 2018 Newport Folk Festival. I guess you could say I’m a big fan. How big? This kid is going on the Girls Just Wanna Weekend Mexico trip in January. (and yep, I’ll be writing about it here).
Also, HOLY SHIT. A video for the song starring Elisabeth Moss was dropped on Dec. 11. I can’t even…
4.“Dreamers” by Judy Collins. I saw Collins sing this live in Portland (Maine) a few months back and I sat there in stunned silence, tears rolling down my face such is its impact. One of the most important songs of 2018 hands down. “Dreamers” is written from the perspective of an immigrant woman and it’s a poignant, emotional song of stark desperation with some “fuck you, Trump” in there as well (in not so many words). It’s just the famous, timeless vocals of Collins, no instruments. Ready yourself and click here.
5.“Halls of Sarah” by Neko Case. Case’s “Hell-On” is another one on my very short list of favorite albums of 2018. This woman can do no wrong in my book. That voice! That songwriting! “Halls of Sarah” is a goddamn spectacular song off of a goddamn spectacular record. P.S. Follow Case on Twitter. She takes no shit and it’s glorious.
6.“Good As Gold” by Sarah Shook & the Disarmers. From the “Years” album. I’ve got a mad crush of Shook and am still in discovery mode with her whiskey drinkin’ outlaw country sound. I’m pissed I haven’t seen she and her band live yet but I have feeling that will change in 2019. So yeah, “Good As Gold.” Love at first listen. Catchy AF.
7.“Famous” by Serena Ryder (featuring Simon Ward of The Strumbellas). As far as singing along with a huge, gorgeous melody goes, it doesn’t get much better than this one. I’ve been addicted to this song since I first heard it months ago on WCLZ. “Famous” makes me happy.
8.“Wouldn’t Want To Be Like You” by Sheryl Crow (featuring Annie Clark). I mean it’s Sheryl Crow with St. Vincent for god’s sake. I ain’t got nuthin’ else to say about this mighty fine song. Just listen.
9.“Such A Simple Thing” by Ray LaMontagne. Lest you think there wasn’t gonna be any fellas on this list. I know a beautiful song when I hear one. This song is a million percent lovely.
10.“I Can Change” by Lake Street Dive. My oh my what a song. I adore this band. Had a chance to chat with singer Rachael Price last summer. Not only is the song a tender ballad that will hit you in the feels, the video is pretty special too.
11. “City Looks Pretty” by Courtney Barnett. From her scorching album “Tell Me How You Really Feel.” Interviewed Barnett this summer and saw her explosive yet all smiles set at Newport Folk Festival. She’s the absolute bomb and “City Looks Pretty” is but one example.
12.“Diamonds” by JanaeSound. JanaeSound’s real name is Janay Woodruff and she lives right here in Maine. This is my favorite local song of the year and I’ve all but worn it out on my Music from 207 local radio show on WCLZ. I also wrote about her. We’re lucky to have her in Maine. “Diamonds” is sacred to me and it’s got heart and inspiration to spare.
13.“Fruity” by Rubblebucket. I love this song because it’s fun, vibrant and full of surprises. Saw the band open for Lake Street Dive last summer and they were fabulous. Dig “Fruity!”
14. “Strangers” by Katie Herzig. The song is from the sensational album “Moment of Bliss” and Katie Herzig is a wildly talented and innovative artist. Here’s our chat from April and here’s “Strangers.”
15. “The Things We Do to Each Other” by Cowboy Junkies. Somehow I managed to forget how much I LOVE this band. But I fell back in love big-time upon hearing their “All That Reckoning” album and seeing them live at The Music Hall in Portsmouth, NH last summer. Just so happens I recorded their jaw-dropping take on Bowie’s “Five Years”. I digress. Check out the entire “All That Reckoning” album when you can. In the meantime, here’s “The Things We Do To Each Other.”
16. “Parking Lot Pirouette” by Amanda Shires. Her exquisite album is called “To The Sunset.” Just listen to this moody tune. Jesus.
17. “Never Surrender” by Rose Cousins. You’re damn right I mean a cover of the 80s Corey Hart song. Rose Cousins has taken the already powerful song (there, I said it) and turned it into something truly remarkable. Among the best damn covers I’ve ever heard of any song. So if you’re lost and on your own…listen to this!
18. “All This Time” by Katie Herzig. Yep, she made the list again. This is my favorite “Moment of Bliss” track. Why? Hear for yourself.
19. “Me & My Dog” by Julien Baker, Phoebe Bridgers and Lucy Dacus as boygenuis. The three of them released an EP together under the name boygenius and it’s insanely good. They’re all SO GOOD on their own. Together it’s almost more than I can stand as evidenced by “Me & My Dog.”
20. “Broken Headlights” by Roscoe & Etta. Roscoe & Etta is the dynamic duo of singer-songwriters Maia Sharp and Anna Schulze. They made an album together and I love it start to finish. Saw them this summer in Portland, Maine and they were all that. “Broken Headlights” is the album’s first single.
21. “Fireworks” by First Aid Kit. From their “Ruins” album. In a word: SWOON! Also, here’s my interview with Klara Söderberg and my review of their February show in Boston. And most importantly, here’s the dreamy “Fireworks.”
22. “Spark, Set Fire” by The Western Den. They’re the Boston duo of Deni Hlavinka and Chris West and they’re a very recent discovery for me. If “Spark, Set Fire” is any indication, I have a very good feeling we’re gonna get along just fine.
23. “Don’t Let Go” by Tiny Deaths. The album is called “Magic” and it most certainly is. I listened to it several times through during a road trip a few months ago and love it. Tiny Deaths is the dream-pop duo of vocalist Claire De Lune and producer Grant Cutler. Fun fact, the song “Oceans” was one of my favorite songs of 2016. I’m still obsessed with it. But let’s focus on the “Magic” album and this effin’ great song “Don’t Let Go.”
24. “The River” by KT Tunstall. Scottish singer-songwriter K.T. Tunstall released her sixth studio album called “Wax” in October. I’m savoring each track, including “The River.”
25. “423” by Roscoe & Etta. I simply HAD to include another one from the Roscoe & Etta album. Love the imagery and Sharp and Schulze’s vocals together. And the refrain is spectacular, but in your head say another word for spectacular because I use it too much. Behold: “423.”
26. “Venice Bitch” by Lana Del Rey. Truth be told, I only know a handful of Lana Del Rey songs and I love them all. As for this one, you GOTTA love the “fresh out of fucks forever” line. Also, I LOVE that this song clocks in at just under ten minutes. Dig it.
27. “The Wanderer” by Emilie Mover. Mover, out of Toronto, is another artist on this list that I didn’t know about until about five minutes ago. But I do know that this single, a cover of the early 60’s Dion song “The Wanderer” is swoon-worthy. I’m confident you’ll agree.
28. “Django” by Janelle Monáe featuring Zoe Kravitz. First of all, and you don’t need me to tell you this, the entire “Dirty Computer” album is an absolute banger. Second of all, the song gives a shout out to Eve Ensler’s “Vagina Monologues.” So you’re damn right that “Django Jane” is on this list.
29. “Fine With the Dark” by Amy Ray. Ray’s latest solo album is called “Holler” and it’s extraordinary. Any number of songs could have made this list but at the moment I’m all about “Fine With the Dark.”
30. “Fugitive” by Indigo Girls. The song first appeared on their 1994 studio album “Swamp Ophelia” and is in my top five list of favorite songs by the duo of Amy Ray and Emily Saliers. So why is the song on this list? Because a double live album was released earlier this year of Indigo Girls live with The University of Colorado Symphony Orchestra. Here’s my review. Anyway…when I heard the symphony version of “Fugitive” I wept and cheered and pretty much lost my mind. Just when I thought I couldn’t love a song anymore, Indigo Girls hit me (and the world) with THIS.
31. “Wild One” by I’m With Her.I’m With Her is the trio of Sarah Jarosz, Aoife O’Donovan and Sara Watkins. After a few songs here and there over the past couple of years the debut full-length album “See You Around” was released in February. I chose “Wild One” for this list because it makes me entirely sad and happy and their voices together destroy me.
32. “The Night That Bowie Died” by KT Tunstall. Another track from “Wax.” I’m still not over losing Bowie and when I saw his name in this song title I steeled myself and put my headphones on. The reward was huge.
33. “Are We Good?” by Eleanor Friedberger. From her 2018 album “Rebound.” I can’t remember when I first heard this song as I scan the past 12 months but listening to it again as I write this I remember why I stuck it on this list. Maybe I got a press release about it? Delivery mechanism doesn’t matter, the song is excellent. Lend an ear.
34. “Neon Prayer Flags” by The Wind and The Wave. From their latest album “Human Beings Let You Down.” All I know is that I can’t get enough of Patty Lynn’s voice. She and musical partner Dwight Baker have a fantastic thing going with this band. Plus, the song talks about therapy so of course I love it.
35. “Some Kind of Window” by Rachael Yamagata. Rachael’s one of my favorite singers on the planet and she surprised us all with the release of a seemingly-out-of-nowhere EP called “Porch Songs” a couple of months ago. There are five songs on it and they all put me into emotional orbit. I chose “Some Kind of Window” because the lines “I don’t know where my will has gone, I never felt so shut down before” are effin’ fantastic and Yamagata sings them in a profound, soul-searing way. Just listen!
36. “Black Monday” by Neneh Cherry. I’ll be honest, I haven’t really kept up with Cherry’s career. I’m lame. Up until this point I pretty much only knew her now 30-year-old hit “Buffalo Stance.” But then one fine I got wind of her latest album “Broken Politics” and I guess I got wind at the exact moment that I actually had time to listen to it. Wow. It’s going to knock your socks entirely off. Her vocals are to die-for. I’m still getting to know the album but “Black Monday” sure as shit made my list.
37. “Follow Me Home” by SHEL. It was love at first listen with the four mesmerizing Holbrook sisters back in 2016. Since then I’ve seen them in a Tennessee cave, at a festival in North Carolina and a festival in Colorado. Their latest project is scoring the new Catherine Zeta-Jones Facebook Watch series “Queen America.” Out of that came the song “Follow Me Home,” released a little over a week ago. I have a heart attack every time a press release arrives with SHEL in the subject line and this was no exception. Listen to the song and fall under the SHEL spell.
38.”Extralife” by Darlingside. Pleased as punch to report that I FINALLY saw them live a week ago and they were dreamy and I was transfixed. I’ve adored Darlingside for a couple of years and the adoration grew all the more with the release of their album “Extralife.” The title track made my list because when I listen to it I leave my body and float up to 60s folk heaven. Here it is.
39.”Hurricanes” by Dido. Cause …want to thank her… for releasing her first album since 2013. Well technically it’s not out quite yet. “Still on My Mind” is set for a March 2019 release BUT the first single “Hurricanes” was shared with the world on the 12th of November and it’s lovely and lush and well heck, just listen.
40. “Right Down the Line” by Lucius. Yes indeed I mean a cover of the 1978 Gerry Rafferty hit. It’s one of ten tracks on the “Nudes” album, released in March. The indie-pop quartet of singers Jess Wolfe and Holly Laessig, guitarist Casey Foubert and drummer John Dion can do no wrong in my book. I got hip to them in 2013 and everything they’ve done since then has been fantastic. I was lucky enough to see them last year with Roger Waters. Holy shit. Anyway, “Nudes” is an acoustic album of new stuff, old stuff and some covers including their marvelous take on “Right Down the Line.”
41. “Blue Again” by Weakened Friends. I do sometimes like to rock out. Weakened Friends is the Portland, Maine trio of singer-guitarist Sonia Sturino, bass player Annie Hoffman and drummer Cam Jones. They just won a Boston Music Award for Alt/Indie artist of the year. YEAH! “Blue Again” is from their tremendous debut full-length album “Common Blah.”
42. “Social Life” by Armies. Because it’s commentary on social media is blistering and spot-on. Also, I’m all about the vocals of Dave Gutter and Anna Lombard. “Social Life” is from the band’s second album “Armies II.” They’re a Maine act but do all sorts of cool stuff all over the place. There’s a video coming at some point for the song that was filmed at the album release show a few months ago (I was there). For now, take a listen to “Social Life.”
43. “Only Lonely” by The Ballroom Thieves. The Ballroom Thieves is the trio of Martin Earley, Devin Mauch and Calin Peters. OMG I love this band. I even bought a necklace Martin made at a show a couple of years ago. I also love the fact that they now call Maine home. “Only Lonely” will have you at the first chill howl. It’s from their “Paper Crown” EP. Enjoy.
I don’t really know why it took me this long to finally realize the dream of attending the Newport Folk Festival. I’m reminded of a favorite line from writer Gail Godwin: “Some things arrive in their own mysterious hour, on their own terms and not yours, to be seized or relinquished forever.” OK so that’s a bit dramatic but the point is… I FINALLY WENT.
There’s a piece of my heart still out there at Fort Adams Park and likely will be forever, such was the impact of this storied festival.
I scribbled a few notes here and there in my reporter’s notebook but I’m not looking at them now. Instead, I’m gonna just write from the heart because after thinking about the experience three plus weeks later, I already know there’s no way this can be a traditional “review.” Maybe it’s an essay or a love letter or a journal entry.
Let me start by saying that walking into this festival on that Friday morning, July 27, I felt like Dorothy Gale stepping into Technicolor, Charlie Bucket walking into the Wonka factory , Edmund Pevensie stepping through the wardrobe into Narnia and Alice descending into the rabbit hole. Remove all scary or challenging parts of those stories and that may give you some idea of what it felt like for this music fan to be at this festival.
Before I unpack anything about what I saw and heard over the next three days, I think it’s important to mention that I’ve wanted to attend this festival since 1992. This is the year this compilation album below was released and I still have it. Before that I had heard of the festival but didn’t have a full understanding of just how special it is. But when I heard Indigo Girls singing Paul Simon’s “American Tune” I lost my mind. I knew that someday I would make it to Newport. Little did I know it wouldn’t happen until 2018. But let me say, in no uncertain terms and hell yes in all caps: IT WAS WORTH THE WAIT!!!
So there I was on a Friday morning on what was my first time in Newport and probably only my second or third time in the state of Rhode Island.
Upon arriving to the entrance to Fort Adams I saw a sign that told me everything I needed to know. It wasn’t a sign from God or a sign from the universe. It was literally a sign. This sign:
I parked my car, gathered up my stuff and began the seaside stroll to the front gates where I picked up my media pass and photo pass. I had purchased my actual tickets last November the second they went on sale in what was one of the most nail-biting ticket buying experiences of my life. I reached out to festival people a few weeks before the opening day requesting the photo pass and they graciously provided me with one and I’ll always be thankful for that because even though I am a complete rookie when it comes to photography, it was awesome to be in the photo pit all weekend where every single photographer I spoke to was incredibly kind. Early on I had a problem with my camera (which, TBH, I barely know how to use) and asked one of them for help and I was feeling quite embarrassed about it. Turns out it’s always a good idea to make sure ones lens is actually on properly. This guy, I wish I could remember his name, was amazing and didn’t make me feel foolish. I mention this because that’s what it was like the entire weekend. Every person I spoke to, rubbed shoulders with, asked questions to, hung out with and watched performances with was kind, in a good mood and super happy to be there. Said another way: there were no assholes at the Newport Folk Festival.
If you’ve never been to the Newport Folk Festival you may not know that when tickets go on sale in November, the lineup isn’t announced. That comes months later on a rolling basis and every announcement feels like the moment in “A Christmas Story” when Ralphie’s Dad tells him to look behind the desk because Santa left one more present there.
Even when acts I wasn’t familiar with were announced it sent a shiver of excitement down my spine because I knew that I’d end up loving some of them. (I’m looking at you, The War And Treaty, Bedouine and Beneath The Sacred Mountain to name a few).
The first announcement came on January 31 and it was Courtney Barnett!! Then every couple of days or weeks other ones would appear and every single time I smiled and it was like kernels of popcorn exploding inside my heart. Rachael & Vilray? YEP! Darlingside? YEP! Passenger? YEP! Phoebe Bridgers? YEP! The Lone Bellow? YEP! Jason Isbell? YEP!
On March 21 things took a turn for the even more exciting when my favorite name of 2018 was announced: Brandi Carlile!
Five days later another bomb was dropped: Lucius!
Three days later: Amanda Shires!
Then the floodgates opened with announcements of Margo Price, Tuck and Patti, Jenny Lewis, Glen Hansard and OMFG St. Vincent among many others.
For a complete list of 2018 performers click here.
Anyway….back to that Friday morning, July 27. I joined the ever-growing line of festival goers and we excitedly awaited for the 10 a.m. opening of the gates. About 15 minutes before that magic moment, festival producer Jay Sweet appeared and made some enthusiastic, cheer-inducing announcements most of which I couldn’t hear but I’m quite certain included a welcome and a promise of good times ahead.
And then it happened. The gates opened and I watched as several hardcore fans made their way as quickly yet calmly as possible to the Fort Stage to secure a good spot for their blankets and chairs.
BTW, the festival has four stages: Quad, Harbor, Museum and the almighty Fort Stage.
I was immediately overwhelmed but not in a bad way, more of in a “Oh my God, I’m finally here! way.” But I also had a mission and that was to see the first act of the day on the Quad Stage, Tuck and Patti. Tuck is one of the most incredible jazz guitarists you’ll ever want to see and Patti is one of the most incredible vocalists on the planet. They’ve been playing together (and have been married) for many years and have a ton of albums out. I had only seem them once, in the mid 90s in Portland, Maine. It came as no surprise that they put on a sensational show and I can’t imagine starting off my first festival experience any other way. Also, about a week or so before the show, I Tweeted a request to them for the song “Takes my Breath Away” from the album “Tears of Joy.” Not only did they end their set with the song, they thanked me (not by name but that hardly matters) for the “sweet request.” I felt like Rudolph when Clarice called him cute.
Here’s the part of this Newport tale where I tell you that many brutal decisions had to be made all weekend long because with the four stages, acts overlap and some acts that I love I only saw a little bit of and some I missed entirely. (My apologies, Glen Hansard).
It was torture, for example, leaving Jenny Lewis’ set early but the reward was Courtney Barnett. If only all problems could be like this one.
I also only caught a few songs of the AMAZING Amanda Shires as I made a mad dash to the photo pit for Margo Price. (BTW, OMG, Amanda’s new album…get it!) I had seen Price earlier in the year here in Maine and knew she was not to be missed. It was during her set that I experienced my first legendary Newport moment. The festival is FAMOUS for guest appearances and this year was no exception. When Margo Price played the John Prine song “In Spite of Ourselves,” she was joined by JOHN PRINE!
Yeah, that happened. Three songs later, one of my favorite moments of the entire three days went down and I still can’t believe it happened. Not only did Price sing Dolly Parton’s “9 to 5”, she was joined by BRANDI CARLILE. I lost my mind and still haven’t quite found it. I have loved this song forever (I’m old af and saw the movie in the freakin’ theater) and seeing a duet by Price and Carlile was, if you’ll pardon the over-used but entirely justified word, EPIC!
Thanks to the fella named Chad for getting the whole song. Dude! Owe you one.
Still on a musical high from Margo Price, I readied myself for another band that I’m ALL ABOUT. This time it was Lucius who were joined by a trio of mesmerizing dancers called The Seaweed Sisters.
They opened their set with the arresting and vocally over the moon “Go Home” (from 2013’s debut album “Wildewoman”) and then went right into the Gerry Rafferty tune “Right Down the Line” (from the 2018 album “Nudes.) Their 12-song set was sheer bliss for every single second and when they played “Dusty Trails” (from 2016’s “Good Grief” another spectacular Newport moment happened. They brought out Brandi Carlile to sing it with them. I’m still feeling the afterglow of this. Holy shit.
Lucius also played tribute to musician and producer Richard Swift who passed away on July 3 at the age of 41 by playing his song “Most of What I Know.” Swift is sorely missed by many and his name was mentioned a number of times over the course of the weekend.
Friday wasn’t nearly done with slaying me though, not by a longshot. I managed to catch a few songs by Rachael & Vilray (LOVE THEM) and while cooling my heels for a bit in the media tent (they needed cooling, it was blazing hot out all weekend) I listened to Ben Harper & Charlie Musselwhite who tore it up on the nearby Quad Stage. I also mourned missing sets by Darlingside (LOVE THEM) and This Is The Kit (newish band to me and love them too).
At 5:40 however I was all business as I hit the Quad state for the entire St. Vincent set. For this performance she didn’t play guitar (she’s a goddamn brilliant guitarist) but rather was accompanied by pianist Thomas “Doveman” Bartlett for a 13 song set that included “Los Ageless, “Pills, “Slow Disco” and “New York.”
She changed the first line of “New York” and sang “Newport isn’t Newport without you love.” As you imagine, we all went crazy. Annie Clark also pulled out an unexpected cover that I melted over. She sang Joni Mitchell’s “Court and Spark” and it was a tender and beautiful and true “Newport” moment if ever there was one.
Friday night was closed out on the Fort Stage by Jason Isbell and the 400 Unit. I had just seen them a week before at Thompson’s Point in Portland with co-headliner Brandi Carlile where they put on a hell of a great show. Little did I know that another giant Newport surprise was coming at the end of their set Jason Isbell introduced surprise guest DAVID CROSBY and before I had time to even catch my breath they tore into “Wooden Ships” and then “Ohio” and again…I lost my mind.
I’m pretty sure all 10,000 of us did. Then Isbell ended with the tear-my-heart-wide open “If We Were Vampires” and I walked out of day one delirious.
When I went to bed on Friday night at my friend Judy’s house about 40 minutes away I was as exhausted as a person could be. I had gotten too much sun and not enough water. I had also experienced one of the best days of my life in terms of live music. My last thought before drifting off that night was “Oh my god, there are TWO MORE DAYS!”
Saturday brought with it another round of live music thrills and chills that only the Newport Folk Festival can provide. My first order of business after some wandering around from stage to stage for a bit was Lukas Nelson & Promise of Real. Newport moments kept happening and every one was joyous. Holly and Jess from Lucius joined Nelson for “Die Alone” which make perfect sense as they’re on five songs on the album he put out last year.
Then it was off to the Quad Stage where I caught the first few songs of a performance that will long be talked about by the earth-shattering Tank & The Bangas. I should have stayed for their entire set because their take on Nirvana’s “Smells Like Teen Spirit” was one for the ages.
Other Saturday highlights for me were Phoebe Bridgers, Jenny Lewis and Courtney Barnett.
But there was one other act on Saturday night. It was the unannounced one to close out the day on the Fort Stage. Speculation had been running wild all day on Friday with guesses including Neil Young. But by my arrival on Saturday morning, the cat had been let out of the bag and word had gotten out that the Saturday night surprise was Mumford & Sons. When they first broke out in 2009 with “Sigh No More” I was an instant fan thanks to songs like “The Cave” and “Little Lion Man.” In 2012 I still felt the love with “Babel” with the track “Lover of the Light” and the bonus track cover of Simon and Garfunkel’s “The Boxer” Heck Mumford even brought their Gentlemen of the Road tour to Portland, Maine in the summer of 2015 and 15,000 of us attended the Munjoy Hill show. But then I sort of lost track of the band and still haven’t really listened to 2015’s “Wilder Mind” album. So when I heard they were the surprise act I’ll be honest, I was underwhelmed. Guess what? I WAS DEAD WRONG AND I ADMIT IT.
Jay Sweet himself came out on stage to introduce them and from the moment the four of them took the stage to the moment the show ended in glorious fashion (I’ll get to that) I was 100 % all-in and screaming along with the “You really fucked it up this time” refrain of “Little Lion Man” just like everyone else there that night. Marcus and company sounded fantastic and I immediately fell back in love with them.
It didn’t hurt one bit that they set was jam-packed with guests including -you guessed it- Brandi Carlile who sang “The Boxer” with them. She was one of many surprises. Jerry Douglass was also out on that stage. Phoebe Bridgers sang Radiohead’s “All I Need” with Mumford ans Sons and it was to-die-for. But there were two other surprises during the Mumford set that I still can’t believe. Maggie Rogers, who was not one of the weekend’s scheduled performers, was introduced and sang her enchanting tune “Alaska” with the band. I LOVE this song and hearing it in this context was an unexpected joyful moment.
The Mumford and Sons set could have ended right then and there and I would have left that night elated. Little did I know that another Newport moment was about to happen and even as I write this I can’t believe I witnessed it.
Mavis Staples was introduced and she sang, with her glorious voice, The Band’s “The Weight” with Mumford and company. Phoebe, Maggie and Brandi were also there to sing it. When Mavis took lead on the second voice I could barely process it.
I walked out of the festival on Saturday night even more delirious then I had been on Friday night.
And then came Sunday.
I’m going to start by saying that I didn’t stay for the final performance of the night, the Change is Gonna Come set led by Jon Batiste with the Dap-Kings. The set featured the Preservation Hall Jazz Band, Rachael Price (Rachael & Vilray, Lake Street Dive), Valerie June, surprise guests Brittany Howard (Alabama Shakes), Chris Thile, Leon Bridges, Mavis Staples, Brandi Carlile and several other Newport luminaries. The 2018 Newport Folk Festival ended with an all-star jam of the Staple Singers “Freedom Highway.”
I had given all I had to give by the time Brandi Carlile finished her set just before 6 p.m. and walked to my car all smiles. Sunday had been the hottest of the three days and I stood under that sun with my new pal Marian for hours upon hours with no regrets so that we could be right up front for Carlile’s set. I missed my gal and my dog and as I made the three hour drive home on Sunday night back to Maine, I knew I had experienced something I will never forget. So that’s why I had no regrets about my early departure.
BUT HERE’S WHAT I DID SEE ON SUNDAY!
Sunday was the day I spent just about all of my time parked at The Fort Stage. I did catch a few songs on other stages by The War and Treaty (SO GREAT!) and Jen Cloher (SO GREAT!) but Fort Stage was my Sunday destiny. This was my first time seeing Passenger (Michael Rosenberg) and his solo acoustic set was outstanding. I only knew the radio singles “Let Her Go,” “Scare Away the Dark” and the new one “Hell or High Water” but truly enjoyed the entire set. His voice is exceptional and I did indeed sing at the top of my voice during “Scare Away the Dark.” That song’s damn near perfect.
After Passenger it was the magnificent act The Lone Bellow. Holy bananas. I experienced just about every emotion one can experience during their set and experienced temporarily straightness, such was the handsomeness of Zach Williams. Looks aside, my oh my, those harmonies, those lyrics, all of it…
After The Lone Bellow it was Gary Clark Jr. I had heard the name but was otherwise fairly unfamiliar with Clark other than knowing he was known to be a hell of a guitarist from Texas. Despite not knowing any of the songs, I thoroughly enjoyed -and rocked out to- the entire set by Clark and his band. Standing near a mega-fan who was more into the performance than just about anyone I had ever seen at a show added to the experience.
By the time Clark finished his set at 4:15, I was hotter than hot and had drained the last of my water, which had been heroically been procured by my friend Marian who braved the crowd to keep us fed and hydrated. No, I will not loan her out for future festivals so don’t ask. She’s the festival friend everyone needs and I also applaud what a huge Lucius fan she is and how she hilariously described herself as a “heat-seeking missile” when it came to being at the right stages at the right times for the many Holly and Jess surprise moments during other acts’ sets.
When Brandi Carlile and her band hit the stage at 4:45 p.m. on Sunday, July 29, I was a live-wire, a whirling-sun-baked dervish. I didn’t bother using my photo pass for entry to the pit, I stayed right where I was, right up front with Marian and a throng of fellow Brandi fans who shared water, snacks and love for Carlile and the performance we were all about to lose ourselves in.
At this point in 2018, I had already seen Carlile three times; twice in Boston and once in Portland and since the Newport show I’ve seen her at a private fan club show in Boulder and at another bucket list location: Red Rocks Ampitheater (review coming soon!)
I see Carlile as much as I do because she and her band put on one of the best live shows you’ll ever want to see. They’re THAT GOOD. Carlile’s latest album “By The Way, I Forgive You” is my favorite album of 2018 with songs like “Sugar Tooth” and “Party of One,” not to mention the single to end all singles, “The Joke.” Plus she and twins Phil and Tim Hanseroth chose covers like nobody’s business. The entire band is at the top of their games and every Carlile show is a goddamn spiritual experience. Festival sets are never as long as regular show ones but Carlile demolished the 11 songs with every fiber of her being, as did the band. They came out swinging with “Raise Hell” from 2012’s “Bear Creek” and then hit us with the song that for many of us, started it all. The title track from her 2007 second album “The Story.”
Next it was Carlile with twins Phil and Tim Hanseroth for the three-part harmony vocal supremacy with the song “The Eye.”
“The Mother” from “By The Way” tells of the birth of Carlile’s first daughter Evangeline and the emotional roller-coaster that ensued for Carlile. She and her wife Catherine welcome a second daughter, Elijah, a few months ago.
Then Carlile played “The Joke” and almost in a daze, I cheered my heart and soul out. The Lone Bellow joined Carlile for “Sugartooth,” a song about losing a friend to drug addiction and what came next was a one-two punch of covers that just about leveled me. Between the two songs I pretty much screamed out something along the lines of “you’re killing me!” and it made Carlile laugh for a few seconds. (I was right the eff up front ).
First she sang Joni Mitchell’s “A Case of You.” I had never heard her sing this before and to say she nailed it would be the biggest understatement of my entire writing career. Even now, a few weeks later, I’m struggling to find the words to capture to gravity of the performance. At this point I was feeling this performance more than I had felt just about any other show I have been to (and trust me when I say, I’ve seen thousands). That’s when Carlile and company busted out with a tune that although I had seen a couple of times before, was all the more intense on the Newport stage. If Wikipedia is to be believed (and I’ll give it the benefit of the doubt on this one) the song “Babe I’m Gonna Leave You” was written in the late 50s by a woman named Anne Bredon while she was a student at University of California, Berkeley. It ended up being recorded by none other than Joan Baez on her 1962 “Joan Baez in Concert, Part I” album. Seven years later, Led Zeppelin recorded it for their 1969 debut self-titled album. Fun fact: I saw Robert Plant in Boston earlier this year and he sang it. A few month laters, on that same stage, was when I first heard Carlile’s version. The Newport version was one of the most electrifying moments I’ve ever witnessed.
Then Carlile sat at the piano and played a song I have yet to make it through yet without crying. That song is “Party of One”and it’s the closing track on “By The Way, I Forgive You.” Every time I think I’m going to make it through I always fall apart when the strings come in, especially live.
Brandi Carlile ended the Newport set with the spirited anthem “Hold Out Your Hand” and was joined by The Lone Bellow, The War and The Treaty, The Watson Twins as well as little Evangeline and a couple of the twins’ adorable kids.
She gave it everything she had and so did the band and so did us fans.
Not only will I never forget all of the music I saw and heard at the 2018 Newport Folk Festival, I will never forget the 100% positive vibe. It may sound cliche but it’s entirely true. From the musicians joining each other on stage all weekend long to the enthusiastic open-hearted fans, I now understand why this festival is so well loved and respected. It also explains why tickets vanish moments after they go on sale.
If you’re going to attend this festival here are my four pieces of advice:
Be ready when tickets go on sale in the fall. I mean REALLY ready.
Bring a reusable water bottle and put serious thought into getting one of those little hand-held +fans/water misters. I saw two elderly women with them and I won’t hit this festival again without one of them.
Don’t try to see everything. It’s not possible. See what you can and enjoy every moment.
Expect the unexpected. Fort Adams becomes a field of dreams (by the ocean) during this festival.
Thank you Newport Folk Festival for being so welcoming, so memorable, so magical and such an authentic live music experience. I’ll be back. You can count on it.
Oh and hey, here’s this! (with gratitude as always to my tech hero Shamus Alley)
Aimsel on the Record is sponsored in part by LB Kitchenin Portland, Maine.
Please contact me if you’re interested in sponsorship opportunities!
So I saw Roger Waters in Boston on Sept. 28, 2017 at the TD Garden. It was the second night of his Beantown visit and a stop on his Us + Them Tour which began in May. The concert was insane and I’ll tell you more about it in a minute but first this story deserves a moment of backstory which begins with my love for the band Lucius. They’re a four-piece indie-pop quartet with I’ve been all about since their debut full-length album from 2013 called “Wildewoman. Last year’s “Good Grief” is also tremendous and so is their latest single “Million Dollar Secret.” Lucius is vocalists Jess Wolfe and Holly Laessig, guitarist Peter Lalish and drummer Dan Molad. When you’re done reading this, go check them out. Trust me on this. But what does my love for Lucius have to do with Roger Waters? As it turns out… everything!
I got wind of the fact that Jess and Holly would be touring with Waters several months ago and have been following the Lucius posts on Instagram (in particular Instagram stories since rehearsals started and especially since the tour began in May. BTW, do yourselves a favor and follow them post haste @Ilovelucius because their Instagram stories are pure gold. Lots of backstage footage and quick looks into what it must be like to be part of a monumental tour such as this. And once the tour started and I knew there was a Boston date on it, the embers started burning in the back of my mind. But the tickets went fast and ones being sold by scalpers were way gross amounts of money. Plus, I’m a bit of a seat snob and knew I wouldn’t be happy in nosebleeds at the cavernous Boston Garden. I decided it was OK to miss the show. I was fine with it. But still the embers burned, especially after footage became readily available and I saw JUST HOW BRILLIANT Holly and Jess were singing with Rogers. Again though, I let it go. I just can’t go to EVERY show.
Fast forward to the morning of September 28th. This was a particularly unusual morning as it was the first time I decided to walk to my recently moved office at the Portland Press Herald (day job). It was just under seven miles. For the first half hour or so I had a headlamp on and a bunch of reflective gear. About six miles into my walk and a lifetime later, the sound of a text momentarily interrupted my music. I looked at my phone to see a message from my friend Mary Allen (correct spelling, I know you’re wondering) Lindemann. She had two tickets to the Waters show THAT NIGHT and did I know anyone who might be interested? I didn’t really off the top of my head but did offer to help her sell them. The tickets were WAY out of my price range (like WAY WAY WAY out). But then something entirely unexpected happened. She told me she didn’t want them to go to waste. She GAVE them to me. I am going to pay her something soon for them but she took a HUGE loss on these. But that’s just how she is; kind and generous. It was more important to her that the tickets weren’t wasted then to recoup what she paid. I’ll forever be in her debt. I scampered the rest of the way to work, in a state of shock, and reached out to my friend Lee. And when I say “reached out” that means I basically told her she HAD TO go to this show with me. She realized that resistance was futile and later that day, off we went to Boston.
There’s a difference between seeing on your ticket that your seats are good and actually having an usher bring you to them. At a venue as large as the Garden, which can hold just under 20,000 people for concerts, having a seventh row seat that was, and I’m not making this up -dead center- is insane. It’s incredible. It’s other-worldly. Lee and I looked at other and didn’t really know what to say. How did this happen? Said more succinctly; What in the actual fuck?
And when the clock struck eight and the show started, Lee and I experienced a concert that, two weeks later as I sit here and finally write, I’m still trying to wrap my head around. It was stupendous. It was powerful. It was everything. Roger Waters was RIGHT IN FRONT OF US. Holly and Jess were RIGHT IN FRONT OF US. Songs like “Time,” “Welcome to the Machine,” “Wish You Were Here,” “Pigs” “Dogs,” “Money,” “Another Brick In the Wall (Part II & Part III,” “Us and Them,” “Mother” and god almighty, “Comfortably Numb” were performed RIGHT IN FRONT OF US.
Here’s a montage of the clips I shot put together by my tech savvy pal Shamus:
It was one jaw-dropping moment after another all night long for two long sets of music.
The giant, remote controlled inflatable pig that hovered above the crowd and circled the arena during “Pigs” was amazing. The local kids who were on stage during “Another Brick in the Wall” were amazing. The entire band- including guitarist Jonathan Wilson who sang lead on a number of tunes- was amazing. Holly and Jess were amazing. Their vocals blew the roof off the building.
Oh and Waters’ hatred of Donald Trump; that too was amazing. Here’s a collage of photos I snapped of Trump quotes projected onto a massive screen behind the stage with the words “Trump is a Pig” as the finale. I might add that Rogers also took a knee eliciting a wave of boos but an even bigger wave of approval.
And when the show ended at 11 p.m. with “Comfortably Numb” we were all showered with pink confetti with one vital word printed on it:
I don’t know if I’ll ever really believe that I went to this show. Many of these songs are ones I’ve known and loved most of my life. I mean who doesn’t love “Comfortably Numb?” Who doesn’t love pretty much the entire “Dark Side of the Moon” album? Who didn’t, at one point or another, go through a phase with the soundtrack to “The Wall?” Who hasn’t sung “WE DON’T NEED NO EDUCATION!” at the top of their lungs? Who isn’t a lost soul swimming in a fish bowl for god’s sake?
As a music lover and writer, this was a night that left me fairly speechless. I had pretty much no time to even get excited about it because it all happened so quickly. There was no build-up. Somehow I woke up extra early that morning, walked to work in the dark, got the text to end all texts and ended up getting home at 2 a.m. after one of the most tremendous concerts I’ve ever seen. It took me three days to fully recover.
You just never know what’s going to happen. I’m sad my friend couldn’t make the show herself and had to sacrifice her tickets. But I’m sure glad I was the lucky recipient because this show was on a scale I’ve rarely seen. If you’re able to catch a future date of this tour RUN, RABBIT RUN to it.
As for Holly and Jess, they should probably write a book about their experience at some point when their time on the tour is over. And maybe someone’s been shooting a documentary? Here’s hoping. Congratulations to them both for CRUSHING this gig, a truly great gig here on earth.